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作品源於近年社會模式的變化，人的獨處時間增加，無可避免地直面自身的內在狀態，而那些狀態和感覺通常很快便會消卻或被（刻意）忘記。以繪畫語言將那些碎片化的記憶和想像轉化為靜態影像，重新審視以免於只隨時間流逝或淡化。

 

在此，繪畫除了作為記錄以外，亦是將抽象的記憶與想像畫面具象化的過程與載體。同時亦反思繪畫在當代／數碼時代的意義、功能性與速度的關係，繼而探討可複製影像的價值。

 

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The works originate from the recent changes in social patterns, where people have to spend more time alone and inevitably face their internal states, which are usually disappeared or (deliberately) forgotten soon.

 

Using the painting language to transform those fragmented memories and imaginations into still images to reexamine and prevent them from fading with time. Painting in this context is not only documentation but also a process and carrier for visualizing abstract memories and imaginary images. Meanwhile, the value of reproducible images is explored by reflecting on the meaning and functionality of painting in the contemporary/digital age.